Showing posts with label masterclass theater. Show all posts
Showing posts with label masterclass theater. Show all posts

The Comedie Of Errors Review

The Comedie Of Errors
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This is great reading materil-what can I say?In this book is a great storyline and a fun, exciting plot.It has its high points and sad points, like any other, with other things mixed in.Shakespeare again displays his wonderful talent in writing and acting.This is a perfect book for anyone.

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Mar. You know since Pentecost the sum is due, And since I haue not much importun'd you, Nor now I had not, but that I am bound To Persia, and want Gilders for my voyage:

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Sophocles: Antigone (Cambridge Greek and Latin Classics) Review

Sophocles: Antigone
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This is the standard and also the best critical edition of Sophocles' tragedy ANTIGONE, written and performed in Athens in 441BC. It includes the full text, philological explanation and commentary, as well as essays by leading scholars of classical literature.For my new translation (into Finnish) of the play, this edition is the best and the most reliable. ANTIGONE is the story of various conflicts between state and individual, between gods and men, between men and women, and it has spoken its clear message to audiences through generations.

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In this new edition of Sophocles' tragedy Antigone, Mark Griffith combines sophisticated literary and cultural interpretation with close attention to language, meter, and issues of performance, and thus makes the play more fully available to readers of Greek than ever before. The introduction requires no knowledge of Greek and will interest all students of drama and literature.

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The Comedy of Errors (Arden Shakespeare: Second Series) Review

The Comedy of Errors
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One of the problems that great artists present to us is where to begin in getting to know their works.Their masterworks are often so full of what they have spent a lifetime developing that most of it is lost on those who have not yet put in a significant amount of effort becoming familiar with that artist's style and means of expression.Yet, if one begins with their apprentice works one may become discouraged because they lack the miracles of the masterworks.So, where does one begin?

Shakespeare offers the reader an additional challenge of an English that is removed in style and idiom from us by 400 years.It is not an insurmountable challenge.In fact, it is quite easy to overcome with a bit of time reading it and getting into the flow.It just seems strange in the beginning, but it really does become easy to read once you spend some time with it.However, getting over that small hill has kept many from enjoying the glories of Shakespeare.

This play, "The Comedy of Errors", is clearly an early work.It has many virtues, but despite them it does not offer much of what we really value in Shakespeare.It is a very fine play and is constructed very well.It is a wonderful first work to read of Shakespeare because it is short and has a very simple plot.The new reader does not have to spend much effort contemplating characters or the immense subtlety of language of the great works.Its charms are direct and what it has to offer is pretty much on the surface of the words.

The plot is, like all farces, ridiculous.It involves twin brothers who are served by twin slaves.They are separated early in life and when the play opens one set does not know the other exists.One set (the Antipholus and Dromio from Syracuse) visits Ephesus where the other set (the Antipholus and Dromio of Ephesus) lives.The play involves people confusing the two sets to the bewilderment of those suffering from the confusion.It really is quite funny.Of course, eventually, all is resolved to everyone's delight.

This edition, like all of the individual editions Arden offers of these plays, has a wonderful opening essay that offers a great deal of background on the play including a discussion of its performance history, sources, and discussion of the play itself.The appendices in the back offer excerpts from the sources and some brief information on the Gray's Inn performance of 1594.

If you desire to study Shakespeare and are willing to spend time reading many of his plays, "The Comedy of Errors" is a good work to start with just to ease into the language and get a feel for some of the conventions of Elizabethan theater.Just don't stop here.Shakespeare has so much more to offer that you owe it to yourself to continue your exploration of this supreme artist.

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The Tragedie Of Julius Caesar Review

The Tragedie Of Julius Caesar
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This was the first play performed at the Globe Theatre. For that reason alone, this play deserves special attention. But the characters, the language, and this interesting situation represent Shakespeare's finestefforts. Cassius is ruthless with a malicious attitude. But he honestlyfears what Caesar will do if he is crowned. Brutus is a good and honestman. He contemplates joining Cassius to kill Caesar despite the fact thatCaesar loves him as a friend. (In history as well, Caesar was notably kindto Brutus.) But yet he too fears that if Caesar is crowned, Rome willbleed. Mark Antony is convincing as Caesar'sloyal aid who SEEMSinsignificant at first. But after Caesar is killed, he emerges as the mostpowerful and intelligent character in the play. What makes this play sophenomenal is that we can easily understand and sympathize with any ofthese major characters. (Even though they are on opposite sides.) What'sleft? Only chilling omens like the Soothsayer, the storm, the ghost ofCaesar, etc.Only memorable passages like Mark Antony's famous 'honorable'speech. If you like this play, I suggest the B & W version where JamesMason does Brutus, John Gielgud does Cassius, and Marlon Brando does MarkAntony.

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The Duchess of Malfi: Seven Masterpieces of Jacobean Drama (Modern Library Paperbacks) Review

The Duchess of Malfi: Seven Masterpieces of Jacobean Drama
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I ordered this text for a class because it was inexpensive and had a number of plays I wanted to teach.But it is really not an adequate text in any way.For one thing, there are almost no notes--these are densely-written plays and most readers will be MUCH happier with an edition that is more heavily annotated.For another, it is a poorly made book (fell apart on me after a week or so).And it is sloppy: some of the speeches are assigned to the wrong characters. In the Revengers Tragedy, the speech prefixes Sup and Spu get switched in ways that go beyond similar problems in the original text.

Do not order this book.

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Edited and with an Introduction by Frank Kermode

A Woman Killed with Kindness by Thomas Heywood
Volpone by Ben Jonson
The Revenger's Tragedy by Cyril Tourneur
The Maid's Tragedy by John Fletcher and Francis Beaumont
A Chaste Maid in Cheapside by Thomas Middleton
The Duchess of Malfi by John Webster
The Changeling by Thomas Middleton and William Rowley

The lyrical, bloodthirsty tragedies and witty urban comedies in this original collection were first performed during the reign of King James I (1603-25). Though nearly four centuries old, they display surprisingly modern sensibilities regarding sex, violence, morality, and honor. Brilliantly introduced and annotated by Frank Kermode, these seven Jacobean masterpieces are the finest and most representative plays of a time when drama was the most vital and important mirror of English society.

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